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Cambridge: Cambridge University Press.Historical dictionary of quotations in cognitive science > Bibliography
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2 concreto
adj.1 concrete, definite, particular, specific.2 concrete, physical, non-abstract.m.1 concrete.2 concrete noun.pres.indicat.1st person singular (yo) present indicative of spanish verb: concretar.* * *► adjetivo1 (real) concrete, real2 (particular) particular, specific\en el caso concreto de... in the particular case of...* * *(f. - concreta)adj.1) concrete2) specific* * *1. ADJ1) (=específico) [medida, propuesta] specific, concrete; [hecho, resultado] specific; [fecha, hora] definite, particularen un plazo breve tendremos datos más concretos — we will have more specific o precise information shortly
no me dijo ninguna hora concreta — he didn't tell me any definite o particular time
2) (=no abstracto) concrete3)•
en concreto —a) [con verbos]nos referimos, en concreto, al abuso del alcohol — we are referring specifically to alcohol abuse
he viajado mucho por África, en concreto, por Kenia y Tanzania — I've travelled a lot in Africa, specifically in Kenya and Tanzania o in Kenya and Tanzania to be precise
¿qué dijo en concreto? — what exactly did he say?
b) [con sustantivos]¿busca algún libro en concreto? — are you looking for a particular o specific book?, are you looking for any book in particular?
no se ha decidido nada en concreto — nothing definite o specific has been decided
2.SM LAm (=hormigón) concrete* * *I- ta adjetivoa) ( específico) <política/acusación> concrete, specific; <motivo/ejemplo/pregunta> specific; <fecha/hora> definite; < lugar> specific, particularquiero saber, en concreto, cuánto cuesta — what I want to know specifically is how much it costs
una conferencia sobre historia, en concreto, el siglo XV — a lecture on history, the XV century to be precise
en una zona en concreto — in a particular o specific area
b) ( no abstracto) concreteIImasculino (AmL) concrete* * *= definite, fine [finer -comp., finest -sup.], given, individual, one, specific, specified, single, particular, defined, concrete, designated, circumscribed, targeted, coextensive [co-extensive], narrowly focused.Ex. I don't see that we are going to stand a chance unless there is something very definite coming out of this conference and similar conferences where these ideas are advanced.Ex. A longer abstract can help in the finer points of selection, but will take longer to write and also longer to scan.Ex. The notation for any given geographical division varies between classes and between different parts of the same classes.Ex. The series area includes the series title, an indication of the responsibility for the series (often series editors), and the number of the individual work within the series, if the work is one of a numbered series.Ex. Note the different definitions, and the different boundaries for this one subject area.Ex. Various publishers have reputations for specific styles, subject areas or works for specific audiences.Ex. If access is limited to certain specified times, the term 'off-line' is applied.Ex. In other words, the elements of any single case may point to several concepts; in this sense, the cases are like icebergs -- more is hidden han appears on the surface.Ex. It is possible to identify an item uniquely within a particular institution or agency by a running accession number.Ex. The Pearson correlation coefficient has been calculated to find out the correlation and to test the null hypothesis that there is no correlation among publishing in journals, citing from journals and use of journals by a defined set of researchers.Ex. The second exercise in this course was to outline priorities in library services which had to be concrete, describable and achievable.Ex. It is tremendously valuable to library staff (particularly in libraries with a designated departmental structure) to maintain close professional ties with local academic departments.Ex. Library and Information Plans (LIP) are 5-year management plans for information provision in a circumscribed region.Ex. Threats to the integrity of science include interest in paranormal phenomena, sensationalism of science and pressure for targeted research.Ex. Bibliographies in general are also retrieval devices; the difference here is that the bibliography is not coextensive with the stock of the library it may omit items in stock and include others not in stock.Ex. Some articles cover broad themes while others are more narrowly focused.----* adaptar a una aplicación concreta = harness.* búsqueda de documentos concretos = item search.* confinado a un lugar concreto = site-bound.* detalles concretos = fine detail(s).* en concreto = in particular, to be specific.* enfocado hacia un objetivo concreto = focused [focussed].* en la situación concreta = on the scene.* ente concreto = concrete entity.* en un momento concreto = at a particular point in time.* especializado en un mercado concreto = niche.* relacionado a un caso concreto = case-related.* * *I- ta adjetivoa) ( específico) <política/acusación> concrete, specific; <motivo/ejemplo/pregunta> specific; <fecha/hora> definite; < lugar> specific, particularquiero saber, en concreto, cuánto cuesta — what I want to know specifically is how much it costs
una conferencia sobre historia, en concreto, el siglo XV — a lecture on history, the XV century to be precise
en una zona en concreto — in a particular o specific area
b) ( no abstracto) concreteIImasculino (AmL) concrete* * *= definite, fine [finer -comp., finest -sup.], given, individual, one, specific, specified, single, particular, defined, concrete, designated, circumscribed, targeted, coextensive [co-extensive], narrowly focused.Ex: I don't see that we are going to stand a chance unless there is something very definite coming out of this conference and similar conferences where these ideas are advanced.
Ex: A longer abstract can help in the finer points of selection, but will take longer to write and also longer to scan.Ex: The notation for any given geographical division varies between classes and between different parts of the same classes.Ex: The series area includes the series title, an indication of the responsibility for the series (often series editors), and the number of the individual work within the series, if the work is one of a numbered series.Ex: Note the different definitions, and the different boundaries for this one subject area.Ex: Various publishers have reputations for specific styles, subject areas or works for specific audiences.Ex: If access is limited to certain specified times, the term 'off-line' is applied.Ex: In other words, the elements of any single case may point to several concepts; in this sense, the cases are like icebergs -- more is hidden han appears on the surface.Ex: It is possible to identify an item uniquely within a particular institution or agency by a running accession number.Ex: The Pearson correlation coefficient has been calculated to find out the correlation and to test the null hypothesis that there is no correlation among publishing in journals, citing from journals and use of journals by a defined set of researchers.Ex: The second exercise in this course was to outline priorities in library services which had to be concrete, describable and achievable.Ex: It is tremendously valuable to library staff (particularly in libraries with a designated departmental structure) to maintain close professional ties with local academic departments.Ex: Library and Information Plans (LIP) are 5-year management plans for information provision in a circumscribed region.Ex: Threats to the integrity of science include interest in paranormal phenomena, sensationalism of science and pressure for targeted research.Ex: Bibliographies in general are also retrieval devices; the difference here is that the bibliography is not coextensive with the stock of the library it may omit items in stock and include others not in stock.Ex: Some articles cover broad themes while others are more narrowly focused.* adaptar a una aplicación concreta = harness.* búsqueda de documentos concretos = item search.* confinado a un lugar concreto = site-bound.* detalles concretos = fine detail(s).* en concreto = in particular, to be specific.* enfocado hacia un objetivo concreto = focused [focussed].* en la situación concreta = on the scene.* ente concreto = concrete entity.* en un momento concreto = at a particular point in time.* especializado en un mercado concreto = niche.* relacionado a un caso concreto = case-related.* * *1 (específico) ‹política/acusación› concrete, specificen tu caso concreto in your particular casepor un motivo concreto for a specific reasonfijemos una fecha/hora concreta let's fix a definite date/timequieren reformas/soluciones concretas they want real o concrete reforms/solutionsun lugar concreto a specific o particular placeuna pregunta concreta a specific questionen concreto: quiero saber, en concreto, cuánto me va a costar what I want to know specifically is how much it is going to costla conferencia versó sobre pintura española, en concreto, Goya y Velázquez the lecture was on Spanish painting, Goya and Velázquez, to be precise o to be more specificen una zona en concreto in a particular o specific area2 (no abstracto) concretelo concreto y lo abstracto the concrete and the abstract( AmL)concreteCompuesto:reinforced concrete* * *
Del verbo concretar: ( conjugate concretar)
concreto es:
1ª persona singular (yo) presente indicativo
concretó es:
3ª persona singular (él/ella/usted) pretérito indicativo
Multiple Entries:
concretar
concreto
concretar ( conjugate concretar) verbo transitivo
verbo intransitivo:
llámame para concreto give me a call to arrange the details
concretarse verbo pronominal
to become a reality
concreto 1 -ta adjetivo
‹motivo/ejemplo/pregunta› specific;
‹fecha/hora› definite;
‹ caso› particular;
‹ lugar› specific, particular;
en concreto specifically;
en una zona en concreto in a particular o specific area;
no sé nada en concreto I don't know anything definite
concreto 2 sustantivo masculino (AmL) concrete;
concretar verbo transitivo
1 (precisar un tema, un punto) to specify
2 (concertar una fecha, hora) to fix
concreto,-a
I adjetivo
1 (preciso, real) concrete
2 (particular) specific
en este caso concreto..., in this particular case...
II sustantivo masculino LAm (hormigón) concrete
♦ Locuciones: en concreto, specifically: lo veré esta semana, el martes en concreto, I'll meet him this week, Tuesday to be precise
no sé nada en c., I have no firm information
' concreto' also found in these entries:
Spanish:
actual
- ceñirse
- concreta
- concretamente
- determinada
- determinado
- particular
- puntual
- regalar
- sala
English:
actual
- concrete
- particular
- specific
- specifically
* * *concreto1, -a adj1. [no abstracto] concrete;un concepto concreto a concrete concept2. [determinado] specific, particular;aún no tenemos una fecha concreta we don't have a definite date yet;estoy buscando un disco concreto, no me vale cualquiera I'm looking for a particular o specific record, not just any one;si no me das los detalles concretos no te podré ayudar if you don't give me the specific o precise details I won't be able to help you;en el caso concreto de Nicaragua,… in the specific case of Nicaragua,…;en concreto, todavía no sabemos nada in short, we don't know anything yet;piensa volver a Europa, en concreto a Francia she's thinking of coming back to Europe, to France to be precise;es un experto en economía, y más en concreto, en gestión de empresas he's an expert in economics, more specifically in business management;nada en concreto nothing definite;la culpa no se le puede atribuir a nadie en concreto there is no one person who is to blame;en ningún sitio en concreto nowhere in particular, not in any one placeconcreto2 nmAm concrete concreto armado reinforced concrete* * *I adj1 specific;en concreto specifically;nada en concreto nothing specific2 (no abstracto) concreteII m L.Am.concrete* * *concreto, -ta adj1) : concrete, actual2) : definite, specificen concreto: specifically♦ concretamente advconcreto nmhormigón: concrete* * *concreto adj1. (particular) specific2. (real) actual -
3 contribución
f.1 contribution, donation, aid, help.2 tax, cessment, tribute, impost.* * *1 contribution2 (impuesto) tax\poner a contribución to use, draw oncontribución territorial land taxcontribución urbana rates plural* * *noun f.* * *SF1) (=colaboración) contributionsu contribución a la victoria — his contribution to the victory, his part in the victory
poner a contribución — to make use of, put to use
2) (Econ) taxpl contribuciones taxes, taxation singexento de contribuciones — tax-free, tax-exempt (EEUU)
* * *femenino (colaboración, donación) contribution; (Fisco) tax* * *= contribution, contribution, paper, pooling, rate, submission, addition, tribute.Ex. A further contribution to the international bibliographical control of serials was the CONSER Project (Conversion of Serials).Ex. The major difference is that a periodical index relates to a number of issues and to contributions from a number of different authors.Ex. In particular, a data base may be concerned to list separately individual periodical articles and single papers in conference proceedings.Ex. In this area members of co-operatives have benefited greatly from the general pooling of expertise.Ex. There will be special rates for additional services such as SDI or document delivery.Ex. Most commercial abstracting services rely upon the refereeing procedure applied to the original document in order to eliminate insignificant and inaccurate submissions.Ex. The inheritance from the master becomes, not only his additions to the world's record, but for his disciples the entire scaffolding by which they were erected.Ex. In this case, after collecting tributes from places that could be reached by sea, the commander of the expedition marched inland.----* contribución a la investigación = research contribution.* contribución a un debate = input to a debate.* contribución de ideas = input of ideas.* contribución municipal = council tax, local rates, real estate tax, real estate property tax.* contribución urbana = local tax rates, tax rates, local rates, local taxes, council tax, tax rates, real estate tax, real estate property tax.* devolución de la contribución municipal = rates rebate.* hacer una contribución = make + a contribution.* identificación bibliográfica y de copyright de la contribución = catch line.* presentar una contribución = present + contribution.* recabar + contribución = solicit + contribution.* * *femenino (colaboración, donación) contribution; (Fisco) tax* * *= contribution, contribution, paper, pooling, rate, submission, addition, tribute.Ex: A further contribution to the international bibliographical control of serials was the CONSER Project (Conversion of Serials).
Ex: The major difference is that a periodical index relates to a number of issues and to contributions from a number of different authors.Ex: In particular, a data base may be concerned to list separately individual periodical articles and single papers in conference proceedings.Ex: In this area members of co-operatives have benefited greatly from the general pooling of expertise.Ex: There will be special rates for additional services such as SDI or document delivery.Ex: Most commercial abstracting services rely upon the refereeing procedure applied to the original document in order to eliminate insignificant and inaccurate submissions.Ex: The inheritance from the master becomes, not only his additions to the world's record, but for his disciples the entire scaffolding by which they were erected.Ex: In this case, after collecting tributes from places that could be reached by sea, the commander of the expedition marched inland.* contribución a la investigación = research contribution.* contribución a un debate = input to a debate.* contribución de ideas = input of ideas.* contribución municipal = council tax, local rates, real estate tax, real estate property tax.* contribución urbana = local tax rates, tax rates, local rates, local taxes, council tax, tax rates, real estate tax, real estate property tax.* devolución de la contribución municipal = rates rebate.* hacer una contribución = make + a contribution.* identificación bibliográfica y de copyright de la contribución = catch line.* presentar una contribución = present + contribution.* recabar + contribución = solicit + contribution.* * *1 (colaboración) contribution2 (donación) donation, contribution3 ( Fisco) taxCompuestos:local property tax, ≈ council tax ( in UK)* * *
contribución sustantivo femenino (colaboración, donación) contribution;
(Fisco) tax
contribución sustantivo femenino
1 (participación) contribution
2 (impuesto) tax
' contribución' also found in these entries:
Spanish:
aportación
- coperacha
- excepcional
- extraordinario
English:
contribution
- rate
- council
- toward
* * *contribución nf1. [aporte] contribution2. [impuesto] tax;contribución directa/indirecta direct/indirect tax;contribuciones taxes, taxation;exento de contribuciones tax-exemptcontribución urbana = tax for local services, Br ≈ council tax* * *f1 contribution2 ( impuesto) tax* * ** * *contribución n contribution -
4 Creativity
Put in this bald way, these aims sound utopian. How utopian they areor rather, how imminent their realization-depends on how broadly or narrowly we interpret the term "creative." If we are willing to regard all human complex problem solving as creative, then-as we will point out-successful programs for problem solving mechanisms that simulate human problem solvers already exist, and a number of their general characteristics are known. If we reserve the term "creative" for activities like discovery of the special theory of relativity or the composition of Beethoven's Seventh Symphony, then no example of a creative mechanism exists at the present time. (Simon, 1979, pp. 144-145)Among the questions that can now be given preliminary answers in computational terms are the following: how can ideas from very different sources be spontaneously thought of together? how can two ideas be merged to produce a new structure, which shows the influence of both ancestor ideas without being a mere "cut-and-paste" combination? how can the mind be "primed," so that one will more easily notice serendipitous ideas? why may someone notice-and remember-something fairly uninteresting, if it occurs in an interesting context? how can a brief phrase conjure up an entire melody from memory? and how can we accept two ideas as similar ("love" and "prove" as rhyming, for instance) in respect of a feature not identical in both? The features of connectionist AI models that suggest answers to these questions are their powers of pattern completion, graceful degradation, sensitization, multiple constraint satisfaction, and "best-fit" equilibration.... Here, the important point is that the unconscious, "insightful," associative aspects of creativity can be explained-in outline, at least-by AI methods. (Boden, 1996, p. 273)There thus appears to be an underlying similarity in the process involved in creative innovation and social independence, with common traits and postures required for expression of both behaviors. The difference is one of product-literary, musical, artistic, theoretical products on the one hand, opinions on the other-rather than one of process. In both instances the individual must believe that his perceptions are meaningful and valid and be willing to rely upon his own interpretations. He must trust himself sufficiently that even when persons express opinions counter to his own he can proceed on the basis of his own perceptions and convictions. (Coopersmith, 1967, p. 58)he average level of ego strength and emotional stability is noticeably higher among creative geniuses than among the general population, though it is possibly lower than among men of comparable intelligence and education who go into administrative and similar positions. High anxiety and excitability appear common (e.g. Priestley, Darwin, Kepler) but full-blown neurosis is quite rare. (Cattell & Butcher, 1970, p. 315)he insight that is supposed to be required for such work as discovery turns out to be synonymous with the familiar process of recognition; and other terms commonly used in the discussion of creative work-such terms as "judgment," "creativity," or even "genius"-appear to be wholly dispensable or to be definable, as insight is, in terms of mundane and well-understood concepts. (Simon, 1989, p. 376)From the sketch material still in existence, from the condition of the fragments, and from the autographs themselves we can draw definite conclusions about Mozart's creative process. To invent musical ideas he did not need any stimulation; they came to his mind "ready-made" and in polished form. In contrast to Beethoven, who made numerous attempts at shaping his musical ideas until he found the definitive formulation of a theme, Mozart's first inspiration has the stamp of finality. Any Mozart theme has completeness and unity; as a phenomenon it is a Gestalt. (Herzmann, 1964, p. 28)Great artists enlarge the limits of one's perception. Looking at the world through the eyes of Rembrandt or Tolstoy makes one able to perceive aspects of truth about the world which one could not have achieved without their aid. Freud believed that science was adaptive because it facilitated mastery of the external world; but was it not the case that many scientific theories, like works of art, also originated in phantasy? Certainly, reading accounts of scientific discovery by men of the calibre of Einstein compelled me to conclude that phantasy was not merely escapist, but a way of reaching new insights concerning the nature of reality. Scientific hypotheses require proof; works of art do not. Both are concerned with creating order, with making sense out of the world and our experience of it. (Storr, 1993, p. xii)The importance of self-esteem for creative expression appears to be almost beyond disproof. Without a high regard for himself the individual who is working in the frontiers of his field cannot trust himself to discriminate between the trivial and the significant. Without trust in his own powers the person seeking improved solutions or alternative theories has no basis for distinguishing the significant and profound innovation from the one that is merely different.... An essential component of the creative process, whether it be analysis, synthesis, or the development of a new perspective or more comprehensive theory, is the conviction that one's judgment in interpreting the events is to be trusted. (Coopersmith, 1967, p. 59)In the daily stream of thought these four different stages [preparation; incubation; illumination or inspiration; and verification] constantly overlap each other as we explore different problems. An economist reading a Blue Book, a physiologist watching an experiment, or a business man going through his morning's letters, may at the same time be "incubating" on a problem which he proposed to himself a few days ago, be accumulating knowledge in "preparation" for a second problem, and be "verifying" his conclusions to a third problem. Even in exploring the same problem, the mind may be unconsciously incubating on one aspect of it, while it is consciously employed in preparing for or verifying another aspect. (Wallas, 1926, p. 81)he basic, bisociative pattern of the creative synthesis [is] the sudden interlocking of two previously unrelated skills, or matrices of thought. (Koestler, 1964, p. 121)11) The Earliest Stages in the Creative Process Involve a Commerce with DisorderEven to the creator himself, the earliest effort may seem to involve a commerce with disorder. For the creative order, which is an extension of life, is not an elaboration of the established, but a movement beyond the established, or at least a reorganization of it and often of elements not included in it. The first need is therefore to transcend the old order. Before any new order can be defined, the absolute power of the established, the hold upon us of what we know and are, must be broken. New life comes always from outside our world, as we commonly conceive that world. This is the reason why, in order to invent, one must yield to the indeterminate within him, or, more precisely, to certain illdefined impulses which seem to be of the very texture of the ungoverned fullness which John Livingston Lowes calls "the surging chaos of the unexpressed." (Ghiselin, 1985, p. 4)New life comes always from outside our world, as we commonly conceive our world. This is the reason why, in order to invent, one must yield to the indeterminate within him, or, more precisely, to certain illdefined impulses which seem to be of the very texture of the ungoverned fullness which John Livingston Lowes calls "the surging chaos of the unexpressed." Chaos and disorder are perhaps the wrong terms for that indeterminate fullness and activity of the inner life. For it is organic, dynamic, full of tension and tendency. What is absent from it, except in the decisive act of creation, is determination, fixity, and commitment to one resolution or another of the whole complex of its tensions. (Ghiselin, 1952, p. 13)[P]sychoanalysts have principally been concerned with the content of creative products, and with explaining content in terms of the artist's infantile past. They have paid less attention to examining why the artist chooses his particular activity to express, abreact or sublimate his emotions. In short, they have not made much distinction between art and neurosis; and, since the former is one of the blessings of mankind, whereas the latter is one of the curses, it seems a pity that they should not be better differentiated....Psychoanalysis, being fundamentally concerned with drive and motive, might have been expected to throw more light upon what impels the creative person that in fact it has. (Storr, 1993, pp. xvii, 3)A number of theoretical approaches were considered. Associative theory, as developed by Mednick (1962), gained some empirical support from the apparent validity of the Remote Associates Test, which was constructed on the basis of the theory.... Koestler's (1964) bisociative theory allows more complexity to mental organization than Mednick's associative theory, and postulates "associative contexts" or "frames of reference." He proposed that normal, non-creative, thought proceeds within particular contexts or frames and that the creative act involves linking together previously unconnected frames.... Simonton (1988) has developed associative notions further and explored the mathematical consequences of chance permutation of ideas....Like Koestler, Gruber (1980; Gruber and Davis, 1988) has based his analysis on case studies. He has focused especially on Darwin's development of the theory of evolution. Using piagetian notions, such as assimilation and accommodation, Gruber shows how Darwin's system of ideas changed very slowly over a period of many years. "Moments of insight," in Gruber's analysis, were the culminations of slow long-term processes.... Finally, the information-processing approach, as represented by Simon (1966) and Langley et al. (1987), was considered.... [Simon] points out the importance of good problem representations, both to ensure search is in an appropriate problem space and to aid in developing heuristic evaluations of possible research directions.... The work of Langley et al. (1987) demonstrates how such search processes, realized in computer programs, can indeed discover many basic laws of science from tables of raw data.... Boden (1990a, 1994) has stressed the importance of restructuring the problem space in creative work to develop new genres and paradigms in the arts and sciences. (Gilhooly, 1996, pp. 243-244; emphasis in original)Historical dictionary of quotations in cognitive science > Creativity
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